New biblical methods seem to appear each year, and it can be difficult for students to find a comprehensive survey to the wide range of interpretive options. Reading the Old Testament enables introductory students to understand the established methods of biblical study along with the emerging trends of recent years. This book is firmly grounded in the best available scholarship; at the same time, it speaks to students with no previous knowledge of biblical study.

Students will appreciate this book's clarity and precision as it compares traditional methods of exegesis with newer critical innovations in Old Testament study.

A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.

This collection of John Barton's work engages with current concern over the biblical canon, in both historical and theological aspects; with literary reading of the Bible and current literary theory as it bears on biblical studies; and with the theological reading and use of the biblical text. John Barton's distinctive writing reflects a commitment to a 'liberal' approach to the Bible, which places a high value on traditional biblical criticism and also seeks to show how evocative and full of insight the biblical texts are and how they can contribute to modern theological concerns. This invaluable selection of published writings by one of the leading authorities on biblical text and canon, also includes new essays and editorial introductions from the author.

This title was first published in 2000. From the work of Hegel and Schelling to the dialectical theology of Barth, Bultmann and Gogarten, "Revelation" has developed a long, rich tradition of diverse thought, as well as many misunderstandings. Meaning, first and foremost, "God's encounter with those to whom God wishes to communicate God's own self", Revelation seeks to be recounted and communicated to others. As a theological expression, Revelation aims to direct our attention to the modes and areas in which we have a basis for expecting encounter with God - through stories, nature, the world as creation. From a rediscovered emphasis on "story", narrative theology has emerged - a concept the English-speaking world has welcomed for its neutrality between history and imaginative fiction and stress on narrative rather than doctrinal dimension of biblical text. This volume brings into relationship a concern with theology of revelation and an interest in the theology of story or narrative theology.

WINNER OF THE 2019 DUFF COOPER PRIZE A SUNDAY TIMES BESTSELLER 'With emotional and psychological insight, Barton unlocks this sleeping giant of our culture. In the process, he has produced a masterpiece.' Sunday Times The Bible is the central book of Western culture. For the two faiths which hold it sacred, it is the bedrock of their religion, a singular authority on what to believe and how to live. For non-believers too, it has a commanding status: it is one of the great works of world literature, woven to an unparalleled degree into our language and thought. This book tells the story of the Bible, explaining how it came to be constructed and how it has been understood, from its remote beginnings down to the present. John Barton describes how the narratives, laws, proverbs, prophecies, poems and letters which comprise the Bible were written and when, what we know - and what we cannot know - about their authors and what they might have meant, as well as how these extraordinarily disparate writings relate to each other. His incisive readings shed new light on even the most familiar passages, exposing not only the sources and traditions behind them, but also the busy hands of the scribes and editors who assembled and reshaped them. Untangling the process by which some texts which were regarded as holy, became canonical and were included, and others didn't, Barton demonstrates that the Bible is not the fixed text it is often perceived to be, but the result of a long and intriguing evolution. Tracing its dissemination, translation and interpretation in Judaism and Christianity from Antiquity to the rise of modern biblical scholarship, Barton elucidates how meaning has both been drawn from the Bible and imposed upon it. Part of the book's originality is to illuminate the gap between religion and scripture, the ways in which neither maps exactly onto the other, and how religious thinkers from Augustine to Luther and Spinoza have reckoned with this. Barton shows that if we are to regard the Bible as 'authoritative', it cannot be as believers have so often done in the past.

This collection of John Barton's work engages with current concern over the biblical canon, in both historical and theological aspects; with literary reading of the Bible and current literary theory as it bears on biblical studies; and with the theological reading and use of the biblical text. John Barton's distinctive writing reflects a commitment to a 'liberal' approach to the Bible, which places a high value on traditional biblical criticism and also seeks to show how evocative and full of insight the biblical texts are and how they can contribute to modern theological concerns. This invaluable selection of published writings by one of the leading authorities on biblical text and canon, also includes new essays and editorial introductions from the author.

This title was first published in 2000. From the work of Hegel and Schelling to the dialectical theology of Barth, Bultmann and Gogarten, "Revelation" has developed a long, rich tradition of diverse thought, as well as many misunderstandings. Meaning, first and foremost, "God's encounter with those to whom God wishes to communicate God's own self", Revelation seeks to be recounted and communicated to others. As a theological expression, Revelation aims to direct our attention to the modes and areas in which we have a basis for expecting encounter with God - through stories, nature, the world as creation. From a rediscovered emphasis on "story", narrative theology has emerged - a concept the English-speaking world has welcomed for its neutrality between history and imaginative fiction and stress on narrative rather than doctrinal dimension of biblical text. This volume brings into relationship a concern with theology of revelation and an interest in the theology of story or narrative theology.

A definitive look at how church music is changing in the 21st century. There is no lack of resources for the church musician focusing on particular skills or repertoire. But this is the first collection of essays created specifically for musicians working in parish ministry that imagines how those vocations will change along with the evolving church. Ponder Anew chronicles the rapid changes in the church music landscape in the last 20 years including the role of technology, education, relationships with clergy and choristers, and cultural presumptions. Contributors are parish musicians, professors, clergy, and bishops.

Reflections for Daily Prayer continues to be one of the most popular and highly valued daily Bible reading companions. Continuing its tradition of excellence, regular favourites and new contributors offer insightful, informed and inspiring reflections on the scripture readings of the day, based on the Common Worship lectionary for Morning Prayer. Stephen Cottrell, the Archbishop of York, is the guest contributor for Holy Week. New voices this year include Gregory Cameron, the Bishop of St Asaph and author of the popular An Advent Book of Days and An Easter Book of Days; Chine MacDonald, author, broadcaster and Director of the religious think tank Theos; and Emma Parker, Deputy Warden of Cranmer Hall, Durham. For every day (excluding Sundays) of the 2023-24 church year, there are full references and a quotation from the day’s set of Scripture readings, concise and challenging commentary, and a collect. Also included is a simple order for Morning and Night Rrayer, and additional helps for nurturing a habit of regular daily prayer.

From the Sunday Times bestselling author of A History of the Bible, this is the story of how the Bible has been translated, and why it matters The Bible is held to be both universal and specific, the source of fundamental truths inscribed in words that are exact and sacred. For much of the history of Judaism and almost the entirety of Christianity, however, believers have overwhelmingly understood scripture not in the languages in which it was first written but rather in their own - in translation. This book examines how saints, scholars and interpreters from ancient times down to the present have produced versions of the Bible in the language of their day while remaining true to the original. It explains the challenges they negotiated, from minute textual ambiguities up to the sweep of style and stark differences in form and thought between the earliest writings and the latest, and it exposes the bearing these have on some of the most profound questions of faith: the nature of God, the existence of the soul and possibility of its salvation. Reading dozens of renderings alongside their ancient Hebrew and Greek antecedents, John Barton traces the migration of biblical words and ideas across linguistic borders, illuminating original meanings as well as the ways they were recast. 'Translators have been among the principal agents in mediating the Bible's message,' he writes, 'even in shaping what that message is.' At the separation of Christianity from Judaism and Protestantism from Catholicism, Barton demonstrates, vernacular versions did not only spring from fault lines in religious thinking but also inspired and moulded them. The product of a lifetime's study of scripture, The Word itself reveals the central book of our culture anew - as it was written and as we know it.

Revelation and Story explores the relationship between the theology of revelation and the theology of story or narrative theology. Mediating between German systematic theology's concern for revelation and current Anglo-Saxon interest in narrative theology and centrality of 'story', this book illuminates both traditions. Exploring 'revelation' and 'story' from both theological and philosophical perspectives, this book connects these concepts with questions of the authority of religious and literary texts, particularly the Bible. Believing that God's revelation precedes and forestalls all human perception of God, all speech about God, and every attempt to experience anything about God or know Him, leading scholars from both Anglo-Saxon and German traditions are brought together to present a diverse range of conceptions relating to how God's revelation occurs, resulting in a new theory of the relation of revelation and story which transcends the traditional cultural divide. Stanley Hauerwas contributes the Foreword. Revelation and Story offers a valuable new contribution to systematic theology, hermeneutics, and the study of the authority of Scripture, as well as presenting insights into important overlaps between British and German theology. This book will be of particular interest to scholars and students of philosophy and theology, and to students of literature and literary theory with an interest in hermeneutics.

In the first two chapters of the book of Amos, the prophet denounces a number of neighbouring nations for committing atrocities in war and then declares Israel to be equally blameworthy in view of the social injustices prevailing in his time (the eighth century BC). Amos is widely held to be ahead of his age, not only in recognising the idea of 'war crimes' but also in attributing to the God if Israel any concern with or power over other nations. In this detailed study of Amos 1 and 2, Dr Barton shows that the book in fact presupposes both these notions; there were already accepted conventions of warfare in the ancient Near Eastern cultures and there was already recognition in Israel of the universality of God's power. The essential contribution of Amos to Old Testament theology is to be found in his radical criticism of Israel and in his prediction that it is about to be destroyed by its own God.

The Bible: The Basics is an accessible and engaging introduction to the Bible as both a sacred text, central to the faith of millions, and a classic work of Western literature, containing a tapestry of genres, voices, perspectives, and images. This guide skilfully addresses both aspects of the Bible's character by exploring: the rich variety of literary forms, from poetry to prophecy and epistles to apocalypses; the historical, geographic, and social context of the Bible; contemporary attitudes to the Bible held by believers and non-believers; the status of biblical interpretation today. The second edition has been updated throughout and includes maps and detailed suggestions for further reading. This is an ideal starting point for people of any faith, or none, who are studying the Bible in any setting or who simply want to know more about the best-selling book of all time.

A comprehensive and lively introduction to the Old Testament, suitable for sixth-form, university and ministerial students, as well as the interested general reader. It provides a complete course covering history, archaeology, geography and textual interpretation. Its core is a set of chapters on central biblical themes including the nature of God, human suffering, ethics, the relation of God to Israel and the covenant. There are detailed chapters on aspects such as prophecy, worship, law, apocalyptic and wisdom literature and historiography. The book is extensively illustrated and easily navigable with icons, sidebars and boxes providing helpful information and questions for discussion.

The Bible: The Basics is an accessible and engaging introduction to the Bible as both a sacred text, central to the faith of millions, and a classic work of Western literature, containing a tapestry of genres, voices, perspectives, and images. This guide skilfully addresses both aspects of the Bible's character by exploring: the rich variety of literary forms, from poetry to prophecy and epistles to apocalypses; the historical, geographic, and social context of the Bible; contemporary attitudes to the Bible held by believers and non-believers; the status of biblical interpretation today. The second edition has been updated throughout and includes maps and detailed suggestions for further reading. This is an ideal starting point for people of any faith, or none, who are studying the Bible in any setting or who simply want to know more about the best-selling book of all time.

A comprehensive and accessible guide to the Hebrew Bible This book brings together some of the world's most exciting scholars from across a variety of disciplines to provide a concise and accessible guide to the Hebrew Bible. It covers every major genre of book in the Old Testament together with in-depth discussions of major themes such as human nature, covenant, creation, ethics, ritual and purity, sacred space, and monotheism. This authoritative overview sets each book within its historical and cultural context in the ancient Near East, paying special attention to its sociological setting. It provides new insights into the reception of the books and the different ways they have been studied, from historical-critical enquiry to modern advocacy approaches such as feminism and liberation theology. It also includes a guide to biblical translations and textual criticism and helpful suggestions for further reading. Featuring contributions from experts with backgrounds in the Jewish and Christian faith traditions as well as secular scholars in the humanities and social sciences, The Hebrew Bible is the perfect starting place for anyone seeking a user-friendly introduction to the Old Testament, and an invaluable reference book for students and teachers.

In modern times Amos has come to be considered one of the most important prophets, mainly for his uncompromising message about social justice. This book provides a detailed exploration of this theme and other important elements of the theology underlying the book of Amos. It also includes chapters on the text itself, providing a critical assessment of how the book came to be, the original message of Amos and his circle, which parts of the book may have been added by later scribes, and the finished form of the book. The author also considers the book's reception in ancient and modern times by interpreters as varied as rabbis, the Church Fathers, the Reformers, and liberation theologians. Throughout, the focus is on how to read the book of Amos holistically to understand the organic development of the prophet's message through the many stages of the book's development and interpretation.

This book is the first complete guide to the present state of biblical studies. Intended for students and non specialist readers, i t covers all the methods and approaches currently practised in the academic study of the Bible, as well as examining the major categories of books in the Bible from the perspective of recent scholarship. The twenty-one specially commissioned chapters are written by established scholars from North America and Britain, and represent both traditional and contemporary points of view.

This book brings together some of the world's most exciting scholars from across a variety of disciplines to provide a concise and accessible guide to the Hebrew Bible. It covers every major genre of book in the Old Testament together with in-depth discussions of major themes such as human nature, covenant, creation, ethics, ritual and purity, sacred space, and monotheism. This authoritative overview sets each book within its historical and cultural context in the ancient Near East, paying special attention to its sociological setting. It provides new insights into the reception of the books and the different ways they have been studied, from historical-critical enquiry to modern advocacy approaches such as feminism and liberation theology. It also includes a guide to biblical translations and textual criticism and helpful suggestions for further reading. Featuring contributions from experts with backgrounds in the Jewish and Christian faith traditions as well as secular scholars in the humanities and social sciences, The Hebrew Bible is the perfect starting place for anyone seeking a user-friendly introduction to the Old Testament, and an invaluable reference book for students and teachers.

John Barton used to live in the non-disabled world. Then he developed symptoms of an obscure inherited condition that affected his mobility, closely followed by Parkinson’s disease. And suddenly he found himself propelled into the kingdom of the disabled. There are two worlds, he writes: ‘In one lies power, privilege and validity, in the other, the supposed lack, shame and misery of the invalids. The barriers that separate them – physical, political and psychological – diminish us all. They cripple our societies.’ This is a book not about disability but about our shared humanity. Barton takes us on a journey through history, politics, sociology, medical science and psychology, to explore the meanings of disability. Why do we, as a species, find it so hard to share our common world with people who are different from us? When you meet a disabled person in the street, socially, or in your work, do you pass the Humanity Test? Read this book. You may learn something.